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Tool - 10 000 Days - Ltd Ed Red Vinyl - Hard Rock 2LP

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Vinyl Records, Vancouver, BC, Canada
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Pagans - The Pink Album - Post Rock Punk LP
LP

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Condition: Used

Pagans - The Pink Album



Label: Crypt Records / Treehouse Records
Catalog#:TR 006
Format:Vinyl, LP, Reissue
Black Vinyl edition
Record VG++
Corner Wear

Country: US
Released: 1988
Genre: Rock
Style: Punk


Tracklist


A1 Nowhere To Run
A2 Give Till It Hurts
A3 Slow Street
A4 Cry 815
A5 Angela
A6 Seventh Son


B1 Multiple Personalities
B2 When I Die
B3 Cleveland Confidential
B4 Dead End America
B5 Wall Of Shame
B6 Six And Change

Credits
Bass - Robert Conn
Drums - Bob Richey
Guitar, Vocals - Mike Metoff
Keyboards - Chas Smith
Vocals, Guitar - Michael Hudson


Notes
Originally released in 1983 on Terminal Records- 007 except "Wall Of Shame" which is previously unreleased. Came on both pink and black vinyl.


This is one of those groups that is best in the studio as opposed to live. Not that I saw them live but all the live trax I've heard of theirs are not as snappy as their studio stuff. Those 5 songs are supreme numbers perfectly crafted, outstanding vocals, perfect blend of vocals/git/bass/drums.

I used to call them the U.S. CLASH like I heard some other folks say but getting more into the CLASH in recent years I see that the PAGANS kept it more straight ahead and less artsy, less messin' around musically in different wonderful directions like the CLASH did.

No, the PAGANS are more like? I dunno. Slightly bratty, sorta post rock, new punk master song writers. Their singles make the perfect album. Thank goodness for that. They have Street Where Nobody Lives LP and the Buried Alive LP whose studio tracks are scattered onto this..

It's cool that they're from Cleveland and that David Thomas, the vocalist and beating heart of PERE UBU and also from Cleveland produced some of their songs.



The Pagans were nothing but two chords with an attitude. Great stuff from a truly classic band. .......

This product was added to our catalog on Wednesday 21 April, 2010.

 
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