Condition: Used
Oscar Peterson - Soul Español
Label: Limelight / Mercury
Original Green Label Canada Issue on heavy vinyl
Catalog#: LM 86044
Format: Vinyl, LP, stereo, Album
Record is VG++ light scuffs only ( listen)
Cover is VG++ slight ringwear ( see pic)
Country: Canada Issue
Released: 1966
Genre: Jazz
Style: Latin Jazz
Tracklist
A1 Mas Que Nada 2:24
Composed By - J. Ben
A2 Manha De Carnaval 3:41
Composed By - L. Bonfa
A3 Call Me 8:13
Composed By - T. Hatch
A4 How Insensitive 4:00
Composed By - A.C. Jobim , N. Gimbel , V. DeMoracs
A5 Carioca 4:27
B1 Soulville Samba 2:22
Composed By - O. Peterson
B2 Amanha (Tomorrow) 4:20
Composed By - P. Bodner
B3 Meditation 4:11
Composed By - A.C. Jobim , N. Mendonça , N. Gimbel
B4 Samba Sensitive 3:15
Composed By - O. Peterson
B5 Samba De Orfeo 3:51
Composed By - L. Bonfa
Credits
Artwork By - Jim Schubert
Bass - Sam Jones
Drums - Louis Hayes
Liner Notes - Morgan Ames
Percussion - Harold Jones , Henley Gibson , Marshall Thompson
Photography - Stan Malinowski
Piano - Oscar Peterson
Producer - Hal Mooney
Notes
recorded at Universal Studios, Chicago.
also issued in stereo (# LS 86044
there's much to enjoy and admire here. Tony Hatch's "Call Me" receives an extended workout both delicate and pulsating, Jobim's "Meditation" is a subtle essay in judicious dynamics, and "Mas Que Nada" generates a formidable head of steam.
"Samba Sensitive" and "Soulville Samba" are a couple of attractive Peterson originals, while "Carioca" and "Samba De Orfeu" testify to his ability to be melodically imaginative at even the fiercest tempi.
Oscar Peterson on the piano was simply uncomparable. I wonder how he could manage his fingers with such independence.
Oscar Peterson - Mas Que Nada
Oscar Peterson’s version is exuberance itself. For me, the speed of Peterson’s piano runs mixed with the pounding of the congas is suggestive of New Orleans street music. It’s both funky and virtuostic, wild and wily.
this song is sick...i need to play this at a gig
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