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Hadley Caliman - Iapetus - Spiritual Jazz - Funk - LP
LP

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Hadley Caliman - Iapetus

Label: Mainstream Records
Catalog#: MRL 342
Format: Vinyl, LP
Vinyl: VG++ only very light scuffs
Gatefold cover has light ring wear and some wear to edges and corners

Country: US
Released: 1972
Genre: Jazz

Credits: Bass - James Leary
Congas - Victor Pantoja
Drums - Woody Theus
Flute - Hadley Caliman
Piano - Todd Cochran
Saxophone [Tenor] - Hadley Caliman
Timbales - Hungria Garcia
Trumpet - Luis Gasca


Tracklisting:
A1 Watercress (3:45)
A2 Ambivalence (7:38)
A3 Dee's Glee (7:39)

B1 Iapetus (9:59)
B2 Quadrivium (3:48)
B3 Green Eyes (5:17)

Born: December 1, 1932
Tenor saxophonist Hadley Caliman is part of the living history of jazz music in America.

He has performed, recorded and toured with musicians such as Freddie Hubbard, Gerald Wilson, Carlos Santana, Dexter Gordon, Elvin Jones, Mongo Santamaria, Joe Pass, The Grateful Dead, Joe Henderson, Don Ellis, Flora Purim, Phoebe Snow, Bobby Hutcherson and many others.

His influence on the sound of modern jazz music can be heard on many of his albums as a leader, including his newest release on Origin Records: Gratitude, featuring drummer Joe LeBarbera, vibraphone master Joe Locke and trumpeter Thomas Marriott.

At 77 years old and now making his home in Seattle, Hadley Caliman is an active and vibrant part of the busy Seattle music scene, and continues to tour, teach and perform throughout the world.


Cochran's acoustic piano and rhodes work on Hadley Caliman's second Mainstream release "Iapetus" (1972) is outstanding, with controlled use of wah-wah and some inspired solos amongst a great group of musicians. The album's suffused with a latin vibe - not "latin jazz", but jazz that references latin rhythm, similar to the sort of merge that was taking place in Carlos Garnett's work. I've put a whole track here, so listen through to Cochran's great solo from 1:26, and get the album from the link above. Recommended album!

This product was added to our catalog on Tuesday 23 June, 2009.

 
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